I am often asked about the equipment I use, specifically cameras. I like to travel as light as possible. In recent years I’ve shot with the highest resolution pro digital camera offered by Canon: a 1DS, 1DS Mk 2, and now 1DS Mk 3, a 21-megapixel brick of technology. The pro body is almost impervious to rain, snow, and dust, which is why I prefer it to the cheaper 5D Mk2, despite its HD video and low noise capabilities.

I limit myself to a few lenses most of the time, all Canon. More than half of my images are shot with either the 16-35f 2.8 Mk2 or the 70-200 f4, which is just as sharp as the much heavier and more expensive 2.8 version. If I need a more powerful telephoto, I reach for the 400 DO; if I know I’ll be shooting a lot of wildlife, the 500 f4 comes along. That’s it for 90% of my work.

I still need the usual complement of small, rugged La Cie drives and a Lenovo laptop optimized for photographers (review to follow). A few flashes and reflectors make their way into the kit as well.

Cameras are just tools, though. Cartier Bresson shot The Decisive Moment with a Leica rangefinder and a 50mm lens. It is the eye that matters, and the will to get off the couch and shoot.

I drove to the Skagit River flats last weekend. The area had flooded and I heard that the bald eagles were congregating in trees on high ground. It was a grey day, drizzly and dark. The reports were true. We found 15 eagles in a tree, and as soon as we stepped out of the car, we saw why. Voles swam in the flooded fields, scurried under the car, hid in the tall grass. A few drowned voles lay on their sides in the water. It was a buffet for eagles, and they acted showed no interest in further dining. I never touched a camera. Exposing for the black backlit eagles would have pegged the histogram to the right, blowing out the sky. Without light, natural or artificial, there is no shot. Sometimes the experience is enough.

Since I returned from Asia, we have been working furiously to redesign Art Wolfe Inc from the ground up. A new logo designed by Girvin (think of the graphics from Nordstrom and The Matrix) was the first step, followed by our new website (www.artwolfe.com). We are trying to create a resource for lovers of photography and the wild world.We have a ways to go, kinks to smooth, but we will get there.

In the following posts I will explain what we’ve done in each area of our business and mission. We have new classes, exclusive field seminars, more books, different prints, and are committed to providing lots of free content on the site.